About this artwork
This stereoscopic image captures the Maarschalkenzaal in the Tuileries Palace, Paris, by Florent Grau. It’s made using photographic techniques which, by this time, had become relatively standardized, and a means of mass-producing images. But consider the scene itself – a palatial interior, with gleaming floors, crystal chandeliers, and classical statuary. All of this splendor was enabled by industrial capitalism, extracting raw materials from all over the world and channeling them into luxury goods. The skilled labor needed to produce this kind of opulence would have been considerable. The photograph creates an idealized impression, concealing the complex social relations that made such spaces possible. In viewing this image, we must remember not only the aesthetic accomplishment and technical skill that went into its making, but also the inequalities inherent in its subject.
Artwork details
- Medium
- print, photography, site-specific, albumen-print
- Dimensions
- height 82 mm, width 168 mm
- Copyright
- Rijks Museum: Open Domain
Tags
photography
coloured pencil
site-specific
cityscape
albumen-print
Comments
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About this artwork
This stereoscopic image captures the Maarschalkenzaal in the Tuileries Palace, Paris, by Florent Grau. It’s made using photographic techniques which, by this time, had become relatively standardized, and a means of mass-producing images. But consider the scene itself – a palatial interior, with gleaming floors, crystal chandeliers, and classical statuary. All of this splendor was enabled by industrial capitalism, extracting raw materials from all over the world and channeling them into luxury goods. The skilled labor needed to produce this kind of opulence would have been considerable. The photograph creates an idealized impression, concealing the complex social relations that made such spaces possible. In viewing this image, we must remember not only the aesthetic accomplishment and technical skill that went into its making, but also the inequalities inherent in its subject.
Comments
No comments