print, engraving
pen drawing
pen illustration
mannerism
figuration
11_renaissance
history-painting
academic-art
engraving
Dimensions height 178 mm, width 109 mm
This print of Apollo standing before a temple, was made by René Boyvin in the 16th century. It's an engraving, meaning the design was incised into a metal plate, which was then inked and pressed onto paper. The image's crisp lines are a direct result of the engraver's skill, and the effects of the tools used to carve into the metal. Boyvin's refined technique renders the architecture and figures in a way that evokes classical sculpture. Note the careful hatching and cross-hatching, which builds up the shadows and gives depth to the composition. Prints like this played a crucial role in disseminating images and ideas in the early modern period. They allowed for the mass production and distribution of visual information, democratizing art and enabling a broader audience to engage with classical themes and aesthetic ideals. These engravings were made for a market, and were an important source of income for artists like Boyvin.
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