Pa. German Chest by Elmer G. Anderson

Pa. German Chest c. 1936

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drawing, watercolor, wood

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drawing

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water colours

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watercolor

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folk-art

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wood

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regionalism

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watercolor

Dimensions overall: 44.6 x 64 cm (17 9/16 x 25 3/16 in.)

Curator: This watercolor on paper from around 1936 by Elmer G. Anderson depicts a Pa. German Chest, highlighting the tradition of folk-art in the Pennsylvania region. Editor: It strikes me as a strangely fragile representation of such a robust piece of furniture. There's a delicacy in the watercolor washes that almost contradicts the chest's solid form. Curator: Precisely. Anderson captures not just the object, but the cultural memory it holds. The tulips, for instance, resonate deeply in Pennsylvania German folk art, symbolizing faith and love, continually repurposed on these chests to reflect enduring beliefs. Editor: I am intrigued by the contrast between the representation of the chest, which seems quite realistically rendered, and the added diagrams, and the depiction of a key, as if an afterthought to a set of architectural drawings, tools for a practical understanding of the piece, or maybe documentation of traditional carpentry and ornamentation methods of these regional chests. Curator: The key and diagrams are crucial elements of its design and meaning, embodying the craftsmanship inherent in the chests. It is more than a container. It is a representation of home, history, and community, a repository of tangible heirlooms that is deeply rooted in communal identity and spirituality. Editor: Looking at it materially, I am curious about the pigment choices in the floral and geometric ornamentation, which speak to the ready availability of certain materials, as well as their social purpose, meant as the visual manifestation of communal harmony and shared culture. Curator: An excellent point, the choice of color palette here reflects a certain understanding of aesthetics and its value to the original maker. Elmer G. Anderson has documented it so perfectly here. He captures a slice of their existence. Editor: And by using watercolor, Anderson himself makes a material choice. We could say it's a choice which contrasts and echoes both the permanence of wood and the fleetingness of cultural memory itself.

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