La France Dans L'afrique Occidentale 1889

Editor: This is Édouard Riou’s “La France Dans L'afrique Occidentale,” created in 1889. It’s a charcoal drawing and something about the texture and monochrome tones create a deeply contemplative mood. What strikes you when you look at it? Curator: The formal elements of this drawing demonstrate a mastery of chiaroscuro. Notice the artist's strategic use of light and shadow to sculpt the figures, creating depth and volume on a flat plane. Observe the varied textures achieved through charcoal; from the smooth gradients of skin to the rougher handling of the garments and background, the materiality informs the narrative. How do these contrasting textures contribute to your understanding of the subjects? Editor: I see it in how the background kind of fades away, putting the focus squarely on the figures. It’s interesting how you call attention to texture though, as charcoal usually gives very similar tones. How might someone better appreciate those details? Curator: Consider the directional strokes and their density. Note the precise lines delineating the figures versus the looser hatching defining the setting. Riou uses line not just to depict form but to create atmosphere. Think about how line and tone communicate spatial relationships and contribute to the emotional tenor of the piece. Editor: It sounds like close attention to formal properties can communicate an artist's perspective on even very complex and emotive subjects. Thank you! Curator: Indeed. And that's the inherent power of formalism - learning to truly see.