Sinte Ioris Possibly 1700 - 1865

Curator: This is "Sinte Ioris," a pen and ink drawing and engraving attributed to van der Haeghen, made sometime between 1700 and 1865. You can see it here at the Rijksmuseum. Editor: What strikes me immediately is the density of line, creating such a dramatic tension between the knight and the beast. The stark black ink against the white really intensifies the encounter. Curator: Yes, the artist uses a striking linearity to define the forms. Observe how each element – the horse, the dragon, the armor – is meticulously outlined, creating a somewhat flattened pictorial space characteristic of earlier printmaking styles. Editor: Indeed. It's an iconic representation of St. George slaying the dragon. St. George, of course, symbolizes the triumph of good over evil, faith over paganism. The dragon, snarling and wild-eyed, embodies chaos and danger, common representations. Curator: Note also the crossbow and bones depicted above the figures. One cannot help but notice their symmetrical structure; these shapes lend to the drawing an element of visual balance—formal control despite the narrative's violent subject. Editor: They add to the symbolic load, though. Crossbows were powerful military weapons, and they signal victory, control and enforcement; skulls, reminders of the stakes. They certainly amplify the drawing's impact. Notice how the frame reinforces a sense of protection, warding off ill. Curator: I appreciate your focus on the dragon’s expressive features. The angularity of the limbs and the sharp contrasts generate a potent, dynamic, rather linear rhythm throughout the scene. This linearity is crucial to its visual identity and structural coherence. Editor: I see it as more than structural. These aren't just arbitrary lines—they convey movement, emotion, and the deep cultural resonance of a timeless battle, a continuous tradition that connects medieval understanding of Christian tradition to our own struggles. Curator: Van der Haeghen's technique exemplifies how limited artistic means can result in works with enormous impact; here a focus on line engenders both striking formal effects and powerful narrative meaning. Editor: It highlights the capacity of imagery to function as vessels, preserving cultural memories and offering viewers renewed encounters with these fundamental myths.