Waarschuwing tegen de vredesonderhandelingen te Keulen by Gerard van Bylaer

Waarschuwing tegen de vredesonderhandelingen te Keulen 1579

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silver, print, metal, relief, bronze, engraving

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medieval

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silver

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narrative-art

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print

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metal

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sculpture

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relief

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bronze

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sculptural image

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figuration

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history-painting

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engraving

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statue

Dimensions diameter 3.5 cm, weight 15.19 gr

Curator: Look at this captivating silver medal! It's called "Warning against the peace negotiations in Cologne," crafted in 1579 by Gerard van Bylaer. A rather tense title, wouldn't you say? Editor: It certainly sends a shiver down my spine. This object pulsates with unease, almost like holding a fragment of solidified dread. I see clashing figures, tension etched into every millimeter... What was the socio-political context when it was created? Curator: Well, the medal acts as a miniature historical record—a warning indeed, given amidst the complexities of the Eighty Years' War. Negotiations were underway in Cologne, yet some felt peace was a dangerous illusion. Editor: Fascinating! On one face, we observe a pitched battle. Soldiers clash; horses rear. This is conflict embodied through manual creation! A print on metal, how very accessible. It speaks to distribution—this wasn't some inaccessible treasure, this piece might have been worn, touched... experienced! Curator: Precisely! It aimed for wide circulation as propaganda. And on the flip side, that lion pinned beneath a grill—a blatant symbol of oppressed liberty, right? A cautionary reminder. You almost sense the artist's conviction bleeding through the cold metal. Editor: Absolutely! Consider also how making something portable might change how a message resonates. Was it meant as private affirmation, perhaps? A pledge? The materiality shapes and informs even our experience. Curator: Perhaps. Beyond historical record, don’t you feel this object almost performs a spell? Binding fear to political resolve through symbolism etched on metal? Editor: Indeed! Through carefully-planned relief, the artist has turned the coin into an talisman—history made visceral, held between one's fingers. Curator: It shows just how artworks—even the smallest, most functional ones—can hold so much emotion, strategy, and hope all at once. Editor: True. Considering both the maker and those first hands who might have clutched the medallion in anxious moments... We grasp the power that things carry, reflecting stories far larger than themselves.

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