Dimensions image: 197 x 266 mm
Editor: This is a landscape drawing by Thomas Gainsborough. It feels so tranquil, almost dreamlike. What’s your take on why Gainsborough chose this subject and style? Curator: Gainsborough lived during a time of significant social change, with the rise of landscape painting mirroring a growing interest in the English countryside. How do you think this picturesque representation of nature relates to the political and social climate of the 18th century? Editor: Hmm, perhaps it idealized a rural life that was starting to fade? Curator: Precisely! It may also subtly enforce a sense of national identity and pride in the land, reinforcing the existing social hierarchy. It gives us insight to how people want to see their lives. Editor: That's fascinating; it's more than just a pretty picture. Curator: Indeed. Art often reflects the values and power structures of its time.
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http://www.tate.org.uk/art/artworks/gainsborough-title-not-known-t11023
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This print is of a landscape by Thomas Gainsborough held in the private collections of Dr Thomas Monro and George Hibbert. They were reproduced with care. Etching was chosen as the technique, as it best imitates Gainsborough’s expressive handling of paint. Watercolour was later added by hand. They were published in A Collection of Prints Illustrative of English Scenery by John Laporte and William Frederick Wells. Some 30 years after Gainsborough’s death, his paintings had become synonymous with an idyllic vision of the British countryside. Gallery label, October 2019