Bosrand 1645 - 1646

Pieter Moninckx created this drawing, Bosrand, using graphite on paper sometime in the 17th century. Moninckx was probably trained in traditional studio practice, in which drawing was the key to all visual art. This landscape is more than just a representation; it's an exploration of graphite’s capacity for capturing light and shadow, depth and texture. Look closely and you’ll see how the varying pressure of the artist's hand brings the trees and foliage to life. Graphite, though seemingly simple, has a fascinating history. It was initially mistaken for lead, hence the term "lead pencil.” Mined and processed, graphite became a ubiquitous tool, affordable and accessible. This drawing then, reflects the democratization of art making; the availability of materials shaping not only the artistic process but also who could participate in it. Considering materials, making, and context gives us a richer appreciation of Moninckx's work, challenging traditional notions of what constitutes 'high art'.