St. Paul’s Chapel, Broadway between Fulton and Vesey Streets, Manhattan 1938
photography, architecture
precisionism
black and white photography
outdoor photograph
historic architecture
street-photography
photography
historical photography
monochrome photography
street photography
cityscape
architecture
realism
monochrome
Dimensions image: 23.6 × 19.3 cm (9 5/16 × 7 5/8 in.) sheet: 25.1 × 20.3 cm (9 7/8 × 8 in.)
Berenice Abbott shot this gelatin silver print of St. Paul’s Chapel, somewhere between Fulton and Vesey Streets in Manhattan. I love the dark and moody tones; it makes me think about the contrast between old and new in New York City. I think about what Abbott might have been thinking while composing the photograph. She’s framing the old chapel against the backdrop of a taller, more modern skyscraper. You can see the older building dwarfed in the background, like a ghost of an older New York. Abbott had a keen eye for detail, and her urban documentary shows the rapid changes that were taking place in the city during her lifetime. Photography is a different medium to painting, but I think the artistic decisions are similar. She’s composing a statement about a specific time and place, and how the old always lingers within the new.
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