photography
16_19th-century
natural tone
animal
pictorialism
impressionism
landscape
photography
england
naturalism
Dimensions 11.3 × 23.5 cm (image/paper); 33.9 × 42.6 cm (album page)
Peter Henry Emerson made this photograph titled 'A March Pastoral (Suffolk)' in England in the late 19th century. It’s a platinum print, a process prized then for its soft tonal range and matte surface. Emerson was part of a movement that sought to have photography recognized as fine art. Note how he employs a traditional landscape genre, the pastoral, with its roots in classical art. But this isn’t a romanticized vision of rural life. Look at the unidealized depiction of the flock of sheep in their natural environment. Emerson aimed to capture the realities of the Suffolk countryside, a region undergoing significant social and economic change at the time. His photographs documented the lives of rural communities. By studying photography journals, census records, and local histories, we can understand how Emerson’s art reflected and engaged with the debates about class, labor, and the changing landscape of Victorian England.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.