Ch. 103. Of the Antichrist c. 15th century

Editor: This woodcut, titled "Ch. 103. Of the Antichrist," is anonymous, but striking. The composition is really dynamic, with figures scattered across the plane. What stands out to you most about its structure? Curator: The spatial organization immediately commands attention. Notice how the artist employs contrasting textures—the dense hatching in the lower register versus the comparatively sparse treatment of the sky. This creates a tension between the earthly and the divine. Editor: Interesting. It almost feels like two distinct realms are battling for dominance. Curator: Precisely. Consider the formal qualities of the bridge. It bisects the composition, acting as a visual and perhaps metaphorical barrier between these realms. Editor: I see that now. Thanks for pointing out the details in the composition; it adds another layer to the narrative. Curator: Indeed. Analyzing form allows us to engage more deeply with content.