Saint John beholding the New Jerusalem c. 16th century

Editor: This is Hans Holbein the Younger's "Saint John beholding the New Jerusalem." It's a print, and I'm struck by the contrast between the detailed city and the figures on the cliff. How do you interpret this work? Curator: It's a powerful vision of the apocalypse as social transformation. Holbein situates St. John on the precipice, looking toward a 'New Jerusalem.' What does that imply about the old order? The angel points to a future, but what about those left behind? Is this salvation for all, or just some? Editor: So, it’s less about religious prophecy and more about social critique? Curator: Absolutely. It’s a call to dismantle existing power structures and reimagine community, isn't it? The print becomes a radical statement. Editor: That gives me a lot to think about. Thanks! Curator: My pleasure! It’s always productive to re-examine canonical art through a contemporary lens.