Allegorie op de verheffing van Willem IV tot stadhouder in 1747 by Noach van der (I) Meer

Allegorie op de verheffing van Willem IV tot stadhouder in 1747 1747

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print, engraving

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portrait

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allegory

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baroque

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print

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cityscape

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history-painting

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engraving

Dimensions height 187 mm, width 123 mm

Editor: So this print, “Allegory on the elevation of William IV to Stadtholder in 1747,” was made by Noach van der Meer the elder, if I'm not mistaken. It’s pretty packed with figures, almost overwhelming. It gives off a formal, almost staged vibe. How do you even begin to unpack something like this? What are we actually looking at? Curator: Ah, yes! These allegories can feel like a cryptic language, can’t they? I look at it and sense the controlled chaos, the very essence of power trying to justify itself through art. See William IV, placed almost theatrically beneath that grand canopy? It’s as if the artist is screaming "legitimacy!" But...do you feel it? Editor: Feel what? Curator: A slight…desperation? That overly dramatic lighting in the background, the ship, representing commerce or maybe a glorious future…it feels forced, doesn’t it? It almost seems too eager to convince us, and in turn, loses some of its intended grandeur. Notice all the figures huddled at the bottom, it is like society supporting his ascendancy, or perhaps begging him to take responsibility! Editor: Now that you point it out, it does feel a bit like a sales pitch rather than a genuine celebration. I never thought about art as something that can "beg," interesting! Curator: Exactly! Think about the political climate then, the anxieties, the need for a strong leader. This engraving wasn’t just about pretty lines; it was propaganda disguised as art. It is speaking directly to those social anxieties and offers a figure of stability to embrace! So it then begs the question – are the intentions good or bad for the Dutch People? Editor: It’s wild to think of art doing that kind of heavy lifting! I came in expecting a history lesson, but I'm leaving with a conspiracy theory. Curator: Ha! Perhaps a bit dramatic. But that’s the fun of art, isn't it? Seeing how it whispers the secrets of its time! And next time perhaps consider; “what is this art trying to convince me to believe?”

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