Wall Design 1935 - 1942

Editor: So this is a "Wall Design," made sometime between 1935 and 1942, created with drawing, mixed-media, ink, and paper. I'm struck by the somewhat faded look of it and how it has an almost antique quality, even though it is technically "mid-century." I see a central shield with stripes. What is your reading of the symbolism at play here, given the time it was made? Curator: Considering this piece dates from the late 1930s to early 40s, it's difficult to separate it from the looming context of World War II and growing American nationalism. The central shield, prominently displaying what appears to be red and white stripes, evokes strong patriotic sentiments. Notice also how the design is executed, almost like a study for a mural rather than a fully realized, confident work of art. Does this suggest something to you? Editor: Maybe that it was never meant for public consumption, perhaps a preliminary sketch for a mural meant to promote patriotism? What about the phrase "W Stck Brock Way?" Is that meant to evoke something, too? Curator: Exactly. That inscription could signify the location where the mural was proposed or where the artist resided; identifying this place would offer a better understanding of its social context. But what does striking about the presentation itself tell us? The artist uses deliberately simplified iconography to convey a potent sense of national identity. The fragility of paper contrasts interestingly with the imposing character of nationalist imagery, perhaps hinting at the country’s sense of uncertainty. Editor: That's interesting, the sense of uncertainty that contradicts the explicit message. This wasn't simply about patriotism, it may be about underlying national sentiment as a whole. Curator: Precisely! This is the tension within much publicly oriented art, particularly in politically charged eras: how to mobilize sentiment while navigating anxieties. Editor: Thanks, this was very helpful. It's easy to miss the nuances of intent in art made during major political or social movements, especially with symbols that seem obviously declarative. Curator: And conversely, what we find obvious may not have been the dominant understanding at the time! Always more to uncover.