Leaf and Scroll by Eugene Bartz

Leaf and Scroll 1938

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drawing, pencil, charcoal

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drawing

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charcoal drawing

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form

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pencil drawing

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geometric

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pencil

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charcoal

Dimensions overall: 35.5 x 24.3 cm (14 x 9 9/16 in.)

Curator: Here we have Eugene Bartz's "Leaf and Scroll," created in 1938, rendered in pencil and charcoal. Editor: It has a muted quality. The limited color palette gives it this wonderful sepia-toned feel, like an aged photograph capturing a moment from the past. It projects the gravitas of metal against a lighter background. Curator: Indeed, this juxtaposition immediately brought to my mind the interplay between natural, organic forms and human-imposed order, a common thread in many traditional ornamental motifs. Editor: It is like looking at a single piece extracted from something larger; like what was once perhaps the decorative flourish from some furniture now captured for viewing. How might its making reflect that—a process moving away from mass manufacture? Curator: That's a very keen observation. Consider the historical context. In 1938, industrialization was advancing, but hand craftsmanship still held its ground. This drawing preserves and isolates a handcrafted element. You might imagine this "Leaf and Scroll" adorning something within the reach of everyday life. Editor: So, you're envisioning this form embellishing architecture, interiors? Do we have documentation showing what inspired the subject? What types of furnishings did Bartz have access to? I mean, you can see evidence of rusting… was this already salvaged material when he worked on this? Curator: What intrigues me is how a common form, like the acanthus leaf, could be distilled and presented to signal rebirth and immortality… The circular top is a stylized echo. Editor: Symbols often return us to how material realities were perceived—were these organic shapes more directly resonant in lives surrounded by growing, living things rather than fabricated replacements? The scroll almost reads as unfinished…the story this element held during the 1930's deserves more research! Curator: Absolutely, a powerful lens that reminds us to seek both hidden cultural meanings, while equally contextualizing production by honoring craft practices. Editor: A compelling blend of meticulous craft and embedded symbolism. Always much more here than simply meets the eye, right?

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