Portico at the Porta Carmentalis, Tuscan capital and entablature, elevation; pier, section, detail (recto) S. Prassede, Quadriportico, Doric capital, elevation; Palazzo Massimo alle Colonne, column shaft, profile (verso) by Anonymous

Portico at the Porta Carmentalis, Tuscan capital and entablature, elevation; pier, section, detail (recto) S. Prassede, Quadriportico, Doric capital, elevation; Palazzo Massimo alle Colonne, column shaft, profile (verso) 1500 - 1560

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drawing, print, architecture

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drawing

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aged paper

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toned paper

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water colours

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ink paper printed

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print

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book

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etching

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tea stained

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personal sketchbook

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ink drawing experimentation

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arch

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watercolour bleed

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watercolor

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architecture

This anonymous architectural drawing, created between 1500 and 1560, is a detailed study of classical architectural elements. The drawing showcases a Tuscan capital and entablature, a Doric capital, and a column shaft, all with precise measurements and annotations. The meticulous detail and emphasis on proportion reflect the high regard for classical architecture during the Renaissance, a period that saw a revival of interest in ancient Roman and Greek art and design. This drawing serves as a valuable tool for understanding the architectural vocabulary and techniques of the era.

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