Kertebærende engel 1925

Editor: This is "Kertebærende engel", which translates to "Angel Bearing Kerte" a drawing in ink on paper made in 1925 by Joakim Skovgaard. It feels preliminary, with a sketched border and visible grid lines. What historical context might illuminate this image for us? Curator: Given its date and the artist's inclination toward symbolism, we might examine this piece within the context of early 20th-century spiritual movements and the public role of religious imagery. Skovgaard was deeply interested in religious subjects. Where was it meant to be seen? Its existence as a study suggests a potential function within a larger, perhaps public, project. Editor: That's fascinating! Knowing this could be for something larger does change my perspective. Is Kerte the town where Skovgaard made mosaics? Curator: Yes, indeed. And that suggests he used religious subjects as a foundation to influence public sentiment and engagement through art in spaces for commoners. Were the citizens able to decode its significance? How did this imagery contribute to the narrative and socio-political landscape of the region at that time? Editor: So, it wasn't just personal expression, but an intentional use of religious symbols within a specific community for wider engagement! Curator: Exactly. By understanding the socio-political conditions and intended audience, we gain a richer understanding of Skovgaard's work as a carefully designed communication strategy. He had a didactic mission in his imagery. Editor: This gives me a much better appreciation for the art piece as more than just a sketch and an approach towards the role of symbolism at the time. Thanks! Curator: Yes. Seeing art in public this way, we gain access to an exciting political use of imagery.