Vuurbok c. 1830 - 1850

Here we have a design drawing for a fire dog, or "vuurbok" by Firma Feuchère, rendered with graphite on paper. Notice the cherubs, diminutive winged figures, adorn its structure. These cherubs, symbols of divine love and innocence, are not novel creations. Consider, for a moment, the ancient Roman depictions of Cupid, the god of love, frequently portrayed as a cherubic figure. This motif surfaces again in Renaissance art, where cherubs populate religious scenes, embodying purity. The endurance of this cherubic figure speaks to our collective, subconscious desire for innocence and protection. The image taps into primal emotions, engaging viewers with an unspoken promise of comfort. But their story continues, and their meaning further shifts as time progresses. Observe how they evolve, adapting to shifting cultural narratives, yet forever tethered to their origins. It’s a cyclical dance of symbols, forever resurfacing, transformed yet familiar, in the grand theater of history.