Good Friday 1950 - 1974

Curator: This is Alfonso Ossorio's "Good Friday," a print that powerfully evokes the crucifixion. Editor: My first impression is of raw emotion. The jagged lines and stark contrasts create a sense of torment and chaos. Curator: Ossorio's work often explores themes of suffering and redemption. The central figure, clearly Christ on the cross, is rendered with intense, almost brutal lines. Notice how the red accents draw attention to the wounds. Editor: Yes, the strategic use of red disrupts the monochrome, emphasizing the violence. The composition, a whirlwind of shapes, pulls you into the agony of the moment. Curator: The figures at the base, perhaps representing Mary and John, are almost skeletal, mirroring the desolation felt by Christ's followers. These repeating motifs really drive the narrative home. Editor: Absolutely. The layering of textures adds another layer to the composition itself. The materiality of the print emphasizes the human experience of grief. Curator: This print remains a potent symbol of faith, pain, and ultimately, the hope for resurrection. Editor: And as a formal composition, it's a masterclass in using abstraction to communicate complex emotions.