Ring, conisch van vorm, met een gepuncteerd reliëf met ringvormige begrenzingen by Anonymous

Ring, conisch van vorm, met een gepuncteerd reliëf met ringvormige begrenzingen c. 1596

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ceramic, sculpture

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ceramic

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form

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ancient-mediterranean

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sculpture

Dimensions height 1.7 cm, diameter 1.9 cm

Editor: Here we have an unusual artwork from around 1596, a small ceramic sculpture from an anonymous artist, titled "Ring, conisch van vorm, met een gepuncteerd reliëf met ringvormige begrenzingen". The overall texture looks quite rough. What are your initial observations? Curator: Well, its form speaks volumes. Note the conical shape, truncated. The punctated relief isn't merely decorative; it disrupts the surface, engaging with light and shadow to create visual texture. Observe how the ring-like demarcations structure the verticality of the piece. Are those boundaries uniform, or does their irregularity contribute to the object's overall expression? Editor: I see what you mean! They do seem subtly uneven, adding to the handmade feel of it. What effect does the rough texture of the material itself have on its significance? Curator: The materiality is critical. Ceramic, here, possesses a certain weightiness, despite its scale. Its earthiness contrasts with the precision of the form itself. We see the hand of the artist – the intentionality of shaping versus the seemingly random application of texture. It's a tension that creates a dynamic visual experience. Do you find the texture appealing, or somewhat off-putting? Editor: Initially, it seemed a bit unrefined, but now I appreciate how the texture emphasizes the tactile quality of the ceramic, making it more interesting to look at than if it were perfectly smooth. Curator: Precisely. This contrast allows for a multi-sensory engagement, hinting at the object's creation. The ring shape and the interplay between interior and exterior space prompt reflections on form and void. Ultimately, its simplicity becomes a source of complex visual interplay. Editor: Thanks for pointing those things out. Looking closer, it seems every detail contributes to this powerful, self-contained composition. Curator: Indeed. By focusing on form and materiality, we move past simple representation, revealing the core essence of this small but powerful piece.

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