Lalitavistara relief on the main wall of the second gallery (south side) of Candi Borobudur, Magelang, Indonesia. Gallery I, main wall, south side 21 (top): relief 1a-25, Lalitavistara relief, King Suddhodana visited by gods and animals while living as a hermit during Queen Maya's pregnancy. 22 (bottom): relief 1b-25, Avadana relief, unidetified offering scene at a temple site. Borobudur village, Magelang district, Central Java Province, 778-824 AD by Isidore Kinsbergen

Lalitavistara relief on the main wall of the second gallery (south side) of Candi Borobudur, Magelang, Indonesia. Gallery I, main wall, south side 21 (top): relief 1a-25, Lalitavistara relief, King Suddhodana visited by gods and animals while living as a hermit during Queen Maya's pregnancy. 22 (bottom): relief 1b-25, Avadana relief, unidetified offering scene at a temple site. Borobudur village, Magelang district, Central Java Province, 778-824 AD Possibly 1873 - 1879

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print, relief, photography, sculpture, gelatin-silver-print

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narrative-art

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print

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asian-art

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relief

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landscape

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photography

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ancient-mediterranean

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sculpture

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gelatin-silver-print

Dimensions: height 281 mm, width 368 mm

Copyright: Rijks Museum: Open Domain

Isidore Kinsbergen created this photograph of the Lalitavistara relief on the main wall of Candi Borobudur between 778 and 824 AD. The photograph captures a series of reliefs with complex, detailed figures and scenes carved into stone, evoking a sense of intricate storytelling and cultural richness. The composition is divided into registers, each containing narratives. The upper relief shows King Suddhodana visited by gods, while the lower one depicts an offering scene at a temple. Kinsbergen uses light and shadow to accentuate the depth and texture of the carvings. Each figure and architectural element is meticulously rendered, revealing a sophisticated understanding of space and form. The reliefs function as visual texts, conveying religious and cultural narratives. They are not merely decorative but serve as didactic tools, illustrating Buddhist principles and stories. The photograph preserves these reliefs, allowing us to decode their visual language and engage with the philosophical underpinnings of this cultural heritage. It reminds us that art invites ongoing interpretation, deepening our appreciation of human creativity and thought.

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