Gallerie des Modes et Costumes français... Le plus petits de ces enfans... by Nicolas Dupin

Gallerie des Modes et Costumes français... Le plus petits de ces enfans... 1780

drawing, print, etching

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portrait

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drawing

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print

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etching

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genre-painting

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rococo

Curator: Isn’t it precious? This print, titled "Gallerie des Modes et Costumes français... Le plus petits de ces enfans...", dates back to 1780. The artist, Nicolas Dupin, captured such an innocent, almost theatrical moment. Editor: My initial reaction? Excess. The feathered hats, the little drum, the sheer number of fabrics and textures crammed into this tiny scene. How much material went into this image? Curator: Absolutely, the Rococo period relished in elaborate detail. The etching technique lends itself well to showcasing all those textures in clothing and decoration. There's a dreaminess here, almost like these children are playing dress-up, imagining a life of luxury beyond their years. Editor: I’m more focused on that dress-up. Look at the little drummer; he is mimicking an adult in ways that must have felt like power and agency to those of the era. Where did all this finery originate? It points to a whole supply chain. It speaks to social status conferred by textiles. And for children to participate – knowingly or unknowingly – in that charade… fascinating. Curator: It's an observation that speaks volumes. There's an inherent commentary here on class and societal expectations. Their garments dictate not only who they are but how they perform within society. Even these children are, in some ways, small participants in this game. Editor: I am wondering how this artwork participates in that as well, right? The print, produced for mass consumption, extends this performance to other demographics. Consumption as participation. Curator: Precisely! Looking closer, that tension between reality and fantasy bubbles to the surface. It makes you think of who these children actually were – what lives they lived beyond this single image. Editor: Definitely, by taking apart each element–etching, class dynamics, costume as labor—this one little print yields some very knotty reflections. Curator: Agreed. So much is packed into a seeming, brief snapshot. Editor: It leaves us much to contemplate long after this listening ends, hopefully sparking questions and deeper understandings.

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