[title not known] 1976

Editor: This intriguing, untitled work by Michael Rothenstein appears to be a collection of prints from 1975 and 1979, incorporating found materials. The strong contrast catches my eye. How does its starkness speak to you? Curator: The interplay of positive and negative space is quite striking. Consider the composition: the fragmented forms, the textured surfaces, and the very deliberate arrangement of the four prints. How do these elements function together to create a unified whole? Editor: I see a certain rawness in the textures, almost brutal. Is that intentional, do you think? Curator: The artist seems to be emphasizing the materiality of the printmaking process itself, the way ink interacts with the surface. It’s less about representation and more about the inherent qualities of the medium. We can see the artist is playing with the surface to provide meaning. Editor: That’s fascinating. I hadn't considered the material itself as a primary subject. Thanks! Curator: Indeed, considering the formal qualities allows us to appreciate its construction in a new light.