Tall case clock c. 1780

Editor: This is an anonymous "Tall case clock" from around 1780, and it is currently housed at the Minneapolis Institute of Art. The clockmaker employed wood, evidently with carving as well. I find its shape impressive in the most stately sense; what catches your eye when you look at this? Curator: From a formalist perspective, one is drawn to the composition of vertical elements that govern the overall structure. The eye travels upward, guided by the meticulous carving that adorns the hood, toward the decorative finials that mark the passage of time with visual cadence. How does the symmetry and balance speak to you? Editor: I definitely see what you mean by the way it's meant to draw your eye upwards. The symmetrical arrangement, along with its proportions, do impart a sense of harmony and order. It's satisfying to see such clarity of intent in design, and I find that it evokes a feeling of peace. Is it possible that this might align with Neoclassical values? Curator: Precisely. The clock embodies a clarity of form, order, and restrained ornamentation that reflects the values of neoclassicism, turning to classical architectural vocabularies for structure and visual poise. The use of symmetry, too, supports the larger dialogue around truth, and time's reliable cadence. Editor: So it's the deliberate composition, balanced form, and harmonious use of line and proportion that communicates so much? It seems this approach has opened new avenues for thinking about its inherent essence beyond just its function. Curator: Indeed, analyzing it as a discrete entity unveils an aesthetic world concerned with enduring principles. Time and design converge.