Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral 1596

Domenico Beccafumi's "Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral" is a 1596 pen and brown ink drawing depicting a group of reclining figures. The artwork is a study for Beccafumi's larger fresco in the Siena Cathedral. The figures are drawn with great detail, showcasing Beccafumi's mastery of anatomy and form. The work is notable for its use of hatching and cross-hatching to create depth and volume. The drawing is a testament to Beccafumi's skill as a draftsman, and provides insight into his artistic process.