Vooraanzicht van Huis ter Nieuburch te Rijswijk 1697

Pieter Schenk's engraving shows the Huis ter Nieuburch in Rijswijk, capturing a moment of stately arrival in the late 17th or early 18th century. It's interesting to consider this image as a snapshot of power and class in the Dutch Republic. The house, imposing as it is, serves as a backdrop for the comings and goings of horse-drawn carriages and figures, which are indicative of the social hierarchy and wealth that defined the period. Schenk, as the engraver, plays a crucial role here; he is translating the architecture and social theater into a visual language accessible to a wider audience. What does it mean to disseminate an image of such exclusivity? Does it inspire admiration, or perhaps stir feelings of exclusion among those outside these gilded gates? The emotional resonance of such images lies in their ability to evoke both aspiration and the stark realities of social stratification.