Untitled [seated nude with her hands on her right foot] by Richard Diebenkorn

Untitled [seated nude with her hands on her right foot] 1955 - 1967

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drawing, paper, ink

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drawing

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ink drawing

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figuration

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paper

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bay-area-figurative-movement

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ink

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nude

Dimensions: overall: 56 x 43.6 cm (22 1/16 x 17 3/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Richard Diebenkorn's "Untitled [seated nude with her hands on her right foot]," created between 1955 and 1967, offers a glimpse into the artist’s exploration of form through the medium of ink on paper. Editor: There's a starkness to this piece, isn't there? The economy of line conveys a sense of detachment, even melancholy. The figure seems so present yet vulnerable, with its clean and very deliberate outlines. Curator: Precisely. The use of ink allows for a stark contrast, emphasizing the play of light and shadow, and it appears like he has prioritized line over tonal variation to map out a kind of figure. It really underscores Diebenkorn’s focus on spatial relationships. Editor: But consider the materiality of the paper itself. It appears aged, lending an authenticity to the work that connects it to its own history. How the support tells as much of a story of labor, time and artistic creation. There are several drawings and preparatory sketches. Curator: Interesting! What would be the effects? It seems clear he has simplified form and reduced the human body to its bare essentials, a conscious act reflecting his Modernist leanings. Editor: He's minimizing, absolutely, and perhaps reflecting his milieu and a cultural narrative interested in stripping things bare. Curator: The intersection of line and plane creates tension, doesn't it? Editor: I agree, and there's a sensuality to how the figure interacts with the support. It almost reads like this process mirrors society’s and artist's own internal struggles regarding women in that time frame. Curator: This perspective is great because, even though seemingly reduced to essential shapes, the nude possesses an undeniable presence. His capacity of capturing the subtle complexities of the human form cannot be missed, although seemingly just a drawing with no details at all. Editor: Indeed. When you examine art via process and materials, new layers emerge. This has deepened my connection to its content. Curator: It definitely resonates when exploring the nuances of its composition through that frame. It seems like you have unlocked its full meaning and value!

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