print, ink, woodcut
portrait
asian-art
ukiyo-e
japan
ink
woodcut
genre-painting
Dimensions: 13 7/8 × 9 5/16 in. (35.3 × 23.7 cm) (image, sheet, vertical ōban)
Copyright: Public Domain
Curator: This captivating woodblock print, created around 1843 by Utagawa Kunisada, portrays the wrestler Kurokumo Ryūgorō from Higo Province. Editor: My initial response is one of palpable strength. The sheer volume of the figure is striking, almost overwhelming the composition, it’s a little unnerving if I’m honest. Curator: Precisely. Consider the visual strategies at play. The artist employs bold outlines and a shallow depth of field, focusing our attention entirely on the wrestler’s imposing physique and his weighty presence. The formal aspects truly amplify the sitter’s profession. Editor: And consider Sumo’s place in Japanese culture. These wrestlers weren't just athletes; they were celebrities, public figures whose images circulated widely through prints like this one, fulfilling a vital role in the dissemination of a constructed form of masculinity. How fascinating that these were effectively "genre paintings." Curator: The woodcut medium itself is fascinating here. The deliberate choices regarding line thickness and the color palette enhance both realism and the abstract representation of the subject. What do you make of that subdued coloring against his stark black hair and clothing accents? Editor: I agree, this is an artful, carefully wrought popular depiction, created with all the artistry of something meant for wider consumption. The coloring seems deliberate to offset the striking black, preventing an almost comic effect. Instead, it renders Ryūgorō noble and impressive, playing up this wrestler’s symbolic, political place. Curator: And note how Kunisada simplifies forms, accentuating key musculature and using the repeating patterns of the woven mat to anchor the figure. Editor: The emphasis here, as you note, is clearly on this almost mythical being. Curator: So much can be unlocked through the strategic implementation of particular graphic methods in portraying this figure. Editor: Through that artistic lens we truly reveal societal perceptions and historical context. It enriches my understanding enormously.
Comments
This three-sheet set of prints represents the dohyō-ir, or ring-entering ceremony, at the beginning of a tournament day. Takaneyama appears on the left as the tachi-mochi, or sword carrier, one of the two attendants of the wrestler who performs the ceremony. On the right sits Kurokumo, who functions as the “dew sweeper” (tsuyuharai), the attendant who in ancient times would clear the path for the wrestlers. The ceremony itself is performed by a yokozuna, a high-ranking wrestler, in this case Shiranui, in the center. The yokozuna always performs the same moves in the center of the ring, including raising his right foot up high followed by his left.
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