print, ink, woodblock-print
portrait
caricature
asian-art
caricature
ukiyo-e
figuration
ink
woodblock-print
Dimensions 9 3/16 × 6 1/4 in. (23.3 × 15.9 cm) (image, sheet, vertical chūban)
Curator: I see such power here, yet tinged with unexpected tenderness, like a strong wind carrying the scent of cherry blossoms. Editor: I find myself immediately struck by the print’s robust composition, the sheer mass and form. Here we have Utagawa Kunisada II’s woodblock print, likely from 1866, titled "Sumo Wrestler Tagonoura Tsurukichi", currently held at the Minneapolis Institute of Art. Curator: Ah yes, Tagonoura. One can almost feel the weight of tradition, the sweat, and the roaring crowd in that stance. I wonder about the man beneath the wrestler, the hopes and dreams held within that powerful frame. And those colors, that red! It’s like a beating heart exposed, wouldn't you say? Editor: Indeed, that vibrant red draws the eye. It contrasts starkly with the surrounding blue ground and focuses attention on the symbolic apron with those prominent square designs. One immediately reads this choice of color and pattern to signify virility, wealth, and protective strength. Curator: Protective, certainly. But look at his face, a hint of vulnerability flickers there, a question mark in the midst of all that might. The art isn't just about showing raw energy but revealing something softer, even wistful. Do you get that too? Editor: While I acknowledge that the artist’s caricature approach certainly personalizes the wrestler’s appearance, it does not negate Kunisada's exploration of more classical tensions within the ukiyo-e genre; line versus plane, boldness versus fineness, symbolism against representation. The way the artist rendered textures, say the fringe of the mawashi, also tells us about this interplay between aesthetic form and design. Curator: You always bring me back to earth! Which I appreciate. Thanks. Yet looking once more into the subject's eyes I'm almost sure there's still the subtle shadow of dreams that flicker beyond what mere words, including ours, could ever frame! Editor: Dreams, and aesthetics, forever intertwined. That about sums up this masterly Utagawa Kunisada II woodblock.
Comments
The wrestler Tagonoura Tsurukichi (1829–1900) was 37 years old when he appeared in this tournament in the third month of 1866. Tsurukichi had come to Edo from the southern island of Kyushu and at that time had been a wrestler for six years. This tournament was the last one in which he fought under the name Tsurukichi; he then changed it to Kazō, which he used until his retirement five years later. Wrestlers, like kabuki actors, would change their name to indicate that they had reached a new point in their professional life.
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.