De Zondvloed by Melchior Lorck

De Zondvloed 1551

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print, ink, engraving

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medieval

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narrative-art

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print

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landscape

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figuration

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11_renaissance

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ink

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history-painting

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engraving

Dimensions height 325 mm, width 501 mm

Editor: This is Melchior Lorck's "De Zondvloed," or "The Flood," from 1551, done in ink. It's… well, it's overwhelming! All those figures struggling against the rising water. What strikes me most is how he depicts the terror and chaos. What do you see in this piece? Curator: It is a harrowing scene. Beyond the immediate depiction of the biblical flood, I see layers of cultural anxiety and memory encoded within Lorck's engraving. Notice how he uses light – or the absence of it. The darkness, the sheer weight of rain bearing down, almost feels apocalyptic. This speaks to a period of religious upheaval and uncertainty, doesn’t it? Editor: Definitely. The Reformation was in full swing, and I can see how a scene like this would resonate with the anxieties of the time. Is the Ark a symbol of hope, or just a stark contrast to all the death? Curator: Both, I suspect. The Ark is the promise of salvation, of course, but Lorck positions it rather distantly, almost unattainable amidst the churning chaos. Do you see how the figures are arranged, almost piled atop each other? It's a desperate pyramid of humanity grasping for survival. Consider what that configuration tells us about social hierarchies being upended, or the shared vulnerability of humankind. Editor: It's like everyone's sins, high and low, are being washed away together. Curator: Precisely. And notice the architectural details. Lorck wasn't just depicting *any* city being flooded; it seems deliberately reminiscent of contemporary European cities. He uses recognizable iconography to implicate his own world. Editor: That makes it much more immediate, more impactful. It’s not just a story from the past, it’s a warning. Curator: Exactly! By visually connecting the biblical narrative with their own present, Lorck underscores the enduring power – and the potential consequences – of human action. The engraving becomes a cultural mirror, reflecting back the fears and moral imperatives of the Renaissance. It really makes you wonder what symbols and images from our time will resonate similarly far into the future.

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