Portret van een kleuter in gehaakte jurk, zittend op een hek by Theodorus Ferdinant van de Pol

Portret van een kleuter in gehaakte jurk, zittend op een hek Possibly 1900 - 1911

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photography, albumen-print

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portrait

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photography

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historical photography

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genre-painting

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albumen-print

Dimensions height 82 mm, width 56 mm

Curator: Ah, here's a captivating piece, possibly from the early 1900s, attributed to Theodorus Ferdinant van de Pol. It's an albumen print, titled "Portret van een kleuter in gehaakte jurk, zittend op een hek"—"Portrait of a toddler in a crocheted dress, sitting on a fence". Editor: My first impression is its wistful quality. The sepia tones and the child's direct gaze create a sense of longing. The oval frame constricts the image and adds to that melancholy. Curator: Indeed. The photograph captures a moment of carefully constructed innocence, part of the cultural memory surrounding childhood. The dress itself—hand-crocheted—speaks volumes about domesticity, care, and perhaps even the economic status of the family. Editor: It is interesting how the white dress pops because the chromatic scale moves around these white values, enhancing this specific cultural and psychological innocence. Curator: And what do you make of the child being placed on a fence? Is it a barrier or an opening, physically? The child stares towards the camera lens to suggest their individual psychological growth towards the viewer. Editor: Ambiguity, certainly. Is she being confined or presented? It speaks of thresholds, of a child poised on the cusp of something, both physically and metaphorically. Perhaps even childhood becoming adulthood. Curator: A potent symbol! One cannot help but wonder about her future as an audience to the new world coming from technological advancements, a time full of societal shifts and possibilities during her lifetime, framed as historical advancement and historical photography. Editor: I'm also drawn to the formal elements; The monochrome quality is a clear and compelling strategy here. Curator: Precisely, the monochrome effect is used with the crocheted texture to draw emphasis to it. Editor: Van de Pol makes deliberate compositional choices, focusing our gaze on the very texture, highlighting form and craft. Curator: Examining photography of this time yields compelling insight to not just visual conventions, but cultural values placed upon childhood—a symbol with layers, don't you think? Editor: Agreed. Through composition, this albumen print encapsulates this cultural moment into a single arresting frame.

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