Calavera de D. Francisco I. Madero 1912

Editor: So, here we have José Guadalupe Posada's *Calavera de D. Francisco I. Madero*. I am immediately drawn to its connection with *Dia de los Muertos*, its skeleton laughing at us. What do you see in this piece, particularly regarding its construction? Curator: As a materialist, I'm fascinated by the production of this broadside. Posada's use of inexpensive materials and printing techniques was crucial. It allowed the image to circulate widely amongst the working class, carrying its political message. Editor: Political message? Curator: Absolutely. Consider the context: this was made during the Mexican Revolution. The “Calavera” figure, traditionally linked to the Day of the Dead, becomes a vehicle to comment on Madero’s leadership and ultimately, the revolution's social and economic impact on the population. How the image resonated depended on its production and reach. Editor: So, it is not just about Madero, but about the political climate of the time and the materials used to produce it? Curator: Precisely. Understanding the "how" is crucial to understanding the "why." The means of production shaped its meaning. Editor: I hadn't considered the impact of the printing itself. Thanks!