Dimensions 15 9/16 x 8 1/2 x 5 7/8in. (39.5 x 21.6 x 14.9cm)
This two-handled flask was made in France by Philippe-Joseph Brocard, likely in the late 19th century, using enameled glass. Brocard was a key figure in the French Orientalist movement, drawing inspiration from Islamic art, particularly Syrian mosque lamps. The flask is adorned with intricate geometric patterns and stylized floral motifs, reflecting a European fascination with the "exotic" aesthetics of the Middle East. This Orientalism was deeply embedded in the social and political context of the time, as France expanded its colonial reach into North Africa and the Middle East. The flask, therefore, embodies the complex relationship between artistic inspiration and imperial power. To fully understand this piece, we might examine French colonial policies, the history of Islamic art, and the market for luxury goods in 19th-century Europe. It highlights how artistic creation is always intertwined with broader social and institutional histories.
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During the early 1860s, aesthete, scholar and collector, Alfred Morrison (1821-1897) hired Owen Jones to furnish his estate in Wiltshire, Fonthill House and his house in Carlton Terrace in London in the Islamic style. Twenty years before, Jones published a pioneering work documenting Islamic style: Plans, Elevations, Sections and Details of the Alhambra. In his own designs, Owen drew upon Islamic elements and forms. The enamel ornament of this pair of glass flasks, made by the glass manufacturer Philippe-Joseph Brocard, was inspired by mosque lamps. Brocard revived in France the art of enamel on glass, a technique developed in Syria during the 14th century. The enamel decoration incorporates Morrison's entwined initials. Owen designed these flasks to compliment his Islamic design scheme for Morrison's London house, much of which retains intact. The flasks were probably placed upon a mantelpiece in front of a mirror so they could be seen from all angles.
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