Portret van Jacopo Zabarella by Jerôme David

Portret van Jacopo Zabarella 1630

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intaglio, engraving

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baroque

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intaglio

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engraving

Dimensions height 132 mm, width 95 mm

Curator: The somber mood really strikes me—a sense of serious contemplation hangs in the air. The delicate engraving feels quite small too, contained. Editor: Indeed. What we're looking at is a print dating back to 1630, a work by Jerôme David entitled "Portret van Jacopo Zabarella." It’s an engraving, a portrait immortalizing the Italian philosopher. The print resides here in the Rijksmuseum. Curator: The oval frame containing Zabarella, nested within a rectangular one—it presents a structured yet soft visual boundary. It emphasizes Zabarella's face. I am drawn to how the contrast creates depth within this limited space, drawing our focus inexorably to his intellectual persona. The oval of the portrait almost feels like it is hearkening back to the classic round frame of Renaissance paintings. Editor: He certainly cuts a distinguished figure! The fur-trimmed robe immediately evokes status and erudition. The beard and moustache are meticulously rendered; clearly communicating wisdom, authority, and perhaps a connection to the traditions of philosophy. It is all about visually cementing Zabarella as an intellectual of importance. Curator: Consider the pure technique of the engraving itself—how lines meticulously create form, volume, and texture, giving depth and life within a medium usually so very two-dimensional. Editor: Note how the text beneath the portrait serves as an attribute, JACOBVS ZABARELLA PATAVIN, PHILOSOPHIA PROFESSOR, underscoring his identity and vocation for generations to come. The very act of creating and viewing the portrait—both celebrated Zabarella’s life and allowed others to partake in the veneration. It also suggests philosophy being seen as important by other thinkers and patrons. Curator: I concur. Its existence reinforces a societal reverence for intellectual pursuits. Editor: Reflecting upon David’s engraving, I am struck again by the enduring need to visually represent, to distill identity into symbol. Curator: For me, this small work underscores how much can be said and evoked through rigorous and simple means.

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