South Dome, Yosemite 1870 - 1874

Editor: This is Carleton Watkins’s "South Dome, Yosemite," an albumen print from around 1870 to 1874. It’s remarkably detailed for such an old photograph, and the stark contrast gives it a real sense of drama. What stands out to you in this image? Curator: It's fascinating to consider the labour and process Watkins undertook to create this image. The sheer scale of his camera equipment and the meticulous darkroom work required in the field... Imagine the logistical challenge of transporting glass plates, chemicals, and a portable darkroom into such a remote environment. Editor: That's a good point. I hadn’t really thought about the physical aspect of it. Curator: And think about the social context! This was during a time of westward expansion, and photographs like these played a significant role in shaping perceptions of the American landscape, often promoting ideas of untamed wilderness ripe for exploitation. What was Watkins’ role in that process, what did he capture of that, and what did he choose to omit? Editor: So, it's not just a beautiful picture, but also a document that reflects specific economic and political forces? Curator: Exactly. The materials, the labor, the technology – all were tied to the expanding reach of industry and capital into these ‘untouched’ spaces. Watkins isn’t just documenting; he’s participating in constructing an image of the West for consumption back East and potentially attracting investment and tourism. Editor: I'm starting to see this picture in a completely different light now! I had just thought about the beauty, not about how it was used and made. Curator: Considering art through the lens of materiality and production helps us unpack those layers of meaning, connecting artmaking with broader social and economic histories. Editor: I learned a lot looking at art through this lens. I'll remember that for my research. Curator: And that, in turn, hopefully, opens avenues to further discussion!