Abklatsch van de krijttekening op blad 10 verso 1875 - 1934

Isaac Israels made this transfer of a chalk drawing sometime in his career. It’s all about the residue, the ghost of an image, and I love that. The smudgy grey tones sit on the page like mist. You can almost feel the texture of the paper, like a slightly rough skin. Look at the way the chalk dust clings in some areas, creating darker, denser patches. It’s a delicate dance between control and chance, isn’t it? That faint line, dragging from the left almost to the center, it's like the whole drawing is exhaling. This piece reminds me a little of Cy Twombly’s work, who was also obsessed with the beauty of the imperfect and the unfinished. Both artists let their process dictate the final image, embracing the accidental marks. Art isn’t about perfection, it's about embracing the unexpected, and this little drawing is a perfect example of that.