Tankard 1755 - 1765

Curator: Let’s take a look at this fascinating piece from the Art Institute of Chicago: a silver tankard made by John Bayly between 1755 and 1765. It’s quite a vision of Baroque craftsmanship. Editor: Wow, it certainly gleams! It has a sort of serious, almost severe beauty. I’m drawn to its stark, functional elegance, even though I suspect it’s much more than merely functional. It gives an aura of simple living in high society, if that makes sense. Curator: Perfectly! It’s made of silver, which during that era was definitely for upper class enjoyment, suggesting specific class and social implications. Editor: I can imagine the weighty feel of it, and I'm struck by the handle; is that ivory or bone detailing connecting it? Curator: Yes, you're right, likely ivory inserts at the joints, giving it a particularly elegant flair. Beyond pure function, these tankards showed a desire to display taste, wealth and status within a burgeoning mercantile culture. Think of the rituals associated: drinking toasts, formal gatherings, etc. Editor: Suddenly I'm seeing it as more than just a fancy vessel for beverages; it's like a prop in a social drama, or a symbol of elevated social exchange. But still...I think its power lies in that elemental shape, so simple yet imbued with complex history and implications. I wonder about the craftsman’s intent? Curator: The silversmith was highly regarded in society, trusted not only for his artistry but also as a guardian of precious resources. John Bayly probably intended it for some wealthy customer as proof of fine taste. Its simple baroque style would fit an array of aesthetic preferences. Editor: Makes you appreciate its enduring appeal, even now. Even without all of its context, it manages to speak about a past refined life with just the quiet glint of silver. Thanks for sharing that lens; I will think of this tankard quite differently going forward. Curator: You're most welcome!