[title not known] 

Curator: Here we have a landscape by George Chinnery from the Tate Collections. Though it's undated, Chinnery lived from 1774 to 1852, a period ripe with Romanticism. Editor: It feels…ominous? Like a stage set for a gothic drama, all craggy rocks and shadowed paths. The stark ink wash only amplifies that mood. Curator: Note how the composition leads the eye upward, perhaps suggesting a spiritual ascent, a common motif in Romantic art. The rocks themselves, archetypes of permanence. Editor: Or maybe it's just a really good hiding place. Somewhere between the sublime and the slightly sinister, right? I think that's what makes it so appealing. Curator: Perhaps. Chinnery clearly tapped into something primal—the allure and the threat of the unknown. Editor: Exactly! And that ambiguity, it lingers. I see something new each time I look at it.