Tafereelen uit Uilenspiegels leven by George Lodewijk Funke

Tafereelen uit Uilenspiegels leven 1865 - 1875

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Dimensions: height 338 mm, width 412 mm

Copyright: Rijks Museum: Open Domain

Curator: Ah, yes, this wonderfully quirky print by George Lodewijk Funke, titled "Tafereelen uit Uilenspiegels leven," dating from around 1865-1875. Editor: It looks like a page torn straight from someone’s wildly imaginative sketchbook! My first thought: chaotic good. All these little vignettes crammed together…it's brimming with stories, almost like a comic strip before its time. Curator: Indeed. It presents scenes from the life of Uilenspiegel, the trickster folk hero, and seems designed as an early form of children's print. Funke, though less known today, contributed significantly to this genre. Note how each mini-scene has a descriptive subtitle. Editor: I’m particularly drawn to the one where Uilenspiegel seems to be making wine "that no one likes" from…well, let's just say it involves less-than-appetizing ingredients. It makes me wonder about the subversive role of humour and satire in children's education at the time. Did parents grimace while the kids giggled? Curator: The figure of Uilenspiegel certainly allowed for a degree of social commentary. By presenting him as a likeable rogue, these prints could subtly challenge authority and question social norms under the guise of harmless amusement. Think about where these prints would be displayed, in the home primarily. Editor: So, a little dose of playful anarchy amidst the domestic sphere. I like that image. You know, the monochrome actually enhances that subversive energy. A splash of colour would sanitise the message. And the details—the sly winks and comical exaggerations—are just exquisite. It’s like a time capsule of naughty fun. Curator: Exactly! Funke’s work shows the early integration of folk narratives with the developing print culture, demonstrating art’s unique capacity to playfully instruct and entertain the next generation, right there on the nursery wall. Editor: Absolutely. This single page encapsulates a whole world of folklore, wit, and subtle social critique. There's more here than meets the eye!

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