Terracotta fragment of a kylix (drinking cup) 530 BC

Curator: Here we have a terracotta fragment from a kylix, a Greek drinking cup, dating back to around 530 BC. It’s quite striking, isn’t it? Editor: Absolutely. Even as just a shard, it’s powerful. The contrast between the black glaze and the terracotta clay really commands attention, what do you think about the original functionality? Curator: Knowing its use, as a drinking cup during symposiums, helps to understand its value beyond mere utility. The symposia were social gatherings with political or philosophical agenda that became opportunities to display luxury through decorated pottery. Let’s examine the painted figures – or rather, what’s left of them. What symbols stand out to you? Editor: Well, I see the remaining outline of a figure; it appears seated on some kind of ornamented chariot? The use of silhouette with some incised detailing provides an air of monumentality despite the reduced size. What are some hypotheses about the original narrative on the cup? Curator: This style, known as black-figure, was popular at the time, using slip to create silhouettes against the clay. As you noted, we can distinguish the forms by incising through the black paint to reveal the clay underneath. It depicts a kind of procession. Likely it narrates scenes of triumph and commemoration which would serve to stimulate dialog over food and wine during banquets. How does its status as fragment changes your perspective? Editor: Its fragmented state, while unfortunate, prompts an almost archaeological imagination. I’m considering the labor and materials that went into its creation – the potter's wheel, the careful application of the slip, the firing process in a kiln. Each one carries inherent value. Curator: Precisely! And, of course, there’s the consumption aspect. These cups weren't made for everyone, only specific people with means could enjoy them. Owning it and then being represented with it through time adds another layer to our actual enjoyment. Editor: The endurance of its image offers a lasting encounter through cultural memory! That potent feeling is remarkable. Thank you, I had not considered it as a luxury symbol itself. Curator: My pleasure. A fascinating intersection of artistry, symbolism, and the materiality of ancient life.