Portret van Giovanni de Medici c. 1647 - 1696

Editor: Here we have Adriaen Haelwegh’s “Portret van Giovanni de Medici,” created sometime between 1647 and 1696. It's an engraving, and the formality of the subject’s pose and garb gives it a rather serious tone, doesn’t it? What's your take? Curator: Well, it’s certainly of its time! But for me, it's a peek into a world obsessed with lineage and power. Look at the oval frame adorned with what appears to be, intertwined ribbons and some organic matter—Laurel leaves perhaps. A statement in itself! Do you notice the inscription at the base, how it elevates Giovanni as a descendant of Tuscan royalty and a Cardinal? This image isn't just a portrait; it's a declaration. A snapshot of baroque social architecture. What emotions do you read in his expression? Editor: I see some quiet confidence, perhaps? A knowingness, or the slight pursing of the lips could be read as… boredom, maybe? Curator: Ha! I like your boredom reading. Though these works often feel somewhat emotionally vacant to our modern eyes, perhaps they were aiming more for ‘composed dignity’. Think of the piece as a kind of carefully constructed press release from centuries ago, positioning Giovanni within his intricate family and ecclesiastic web. Almost makes you wonder what he was really like, doesn't it? What stories remain untold? Editor: Definitely changes my initial impression. There's a lot more than just seriousness to unpack here. Curator: Precisely! It makes you think about the person, what it took to become what they were and the importance attached to position, wealth and social status.