Portret van een vrouw met hoed in de hand, staand bij een stoel 1860 - 1880

This small portrait, by William Peter Truefitt, captures a woman in subtle tones, standing beside a chair. The composition is structured around soft, diffused light, which creates a sense of stillness. The subject is framed by a decorative border, enhancing the formality of the portrait. The subdued palette focuses attention on the textured surfaces of the woman’s clothing and the furniture. Note how Truefitt uses the fall of the fabric in her dress to introduce a play of light and shadow, adding depth to the image. This detail, along with the carefully arranged props, speaks to the conventions of portraiture at the time, reflecting social status and personal identity through material representation. Consider how the controlled arrangement of elements—the pose, the props, the tonal range—creates a carefully constructed image, one that invites contemplation on the interplay between representation and reality. The photograph becomes not just a likeness, but a crafted statement.