Three Studies of a Lion with a Subsidiary Study of a Paw c. 18th century

Curator: This is Bernard Picart’s "Three Studies of a Lion with a Subsidiary Study of a Paw." Editor: It’s quite charming, really. The soft, reddish chalk gives the lions a peaceful, almost domestic feel. Curator: Picart, who lived from 1673 to 1733, was a French engraver, but this drawing showcases his skill with sanguine chalk. Notice how he captures the animal in different poses. Editor: The lion, often a symbol of royalty and strength, is here portrayed as relaxed, even vulnerable. It subverts traditional power dynamics through intimate observation. Curator: Indeed. Lion imagery was often deployed to reinforce monarchical power. By depicting these creatures at rest, Picart invites viewers to consider different aspects of power. Editor: It's fascinating how a simple study can challenge such deeply ingrained cultural symbols. I find this piece truly thought-provoking.