Dimensions: object: 51 x 2743 x 102 mm, 504 kg
Copyright: © William Turnbull. All Rights Reserved, DACS 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Here we have William Turnbull's 'Parallels', a painted wood sculpture. I'm immediately struck by its bold stripes and the way it sits directly on the floor. What do you see in this piece? Curator: The horizontal bands evoke a sense of landscape, perhaps referencing land and sky. Notice how the colors are divided; what emotions or memories do they trigger in you? Editor: I sense a feeling of stability, but also a separation. The colors seem to define separate spaces. Curator: Precisely. Turnbull is interested in how simple forms and colors resonate with universal experiences, creating a visual language that transcends cultures. Does that connection to the universal surprise you? Editor: It does! I hadn't considered the layers of symbolism beneath the surface. Curator: Often, the power of abstract art lies in its ability to evoke collective understanding through seemingly simple forms.
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Evident in 'Parallels' is Turnbull's deliberate understatement of artistic intervention. The form of each U beam was attained simply by halving the length in which these industrial materials were supplied. The number of beams displayed and the size of the regular gap between them may be varied, if desired, each time the work is shown. In thus subverting traditional notions about fixed composition and by permitting the form of the work as a whole to be varied, Turnbull reinforces the presence of each individual unit. Yet despite its potential for indefinite variation, the parallel configuration of the ground-based beams invests the work with an insistent sense of order. Gallery label, August 2004