Gezin Furnée met Jaap en Corry Quarles van Ufford in Duitsland tijdens een reis langs de Rijn by Carolina (Loentje) Frederika Onnen

Gezin Furnée met Jaap en Corry Quarles van Ufford in Duitsland tijdens een reis langs de Rijn 1931 - 1937

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photography, gelatin-silver-print, albumen-print

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landscape

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photography

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gelatin-silver-print

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cityscape

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albumen-print

Dimensions height 260 mm, width 325 mm

Curator: This fascinating piece is titled "Gezin Furnée met Jaap en Corry Quarles van Ufford in Duitsland tijdens een reis langs de Rijn." It's a photographic work, most likely gelatin-silver prints or albumen prints pasted into an album page, dating from sometime between 1931 and 1937. Editor: My first impression is a melancholic wanderlust, it evokes a sense of memory, of a journey passed. The sepia tones and varied compositions give it an air of historical narrative and personal storytelling. Curator: Precisely. It functions as a visual record of a family trip down the Rhine. Consider the cultural significance of the Rhine itself—it is a deeply symbolic river in German mythology, representing history, nature, and national identity. Editor: I’m curious about the materials. Gelatin-silver printing offered a specific texture, and when coupled with albumen printing you are dealing with a whole set of very involved methods. This album becomes an index of a great deal of time, skill, and expense in assembling and maintaining these images. How does that change our interpretation of the snapshots, if at all? Curator: It elevates it from mere snapshot to carefully curated memory. The use of these printing techniques also points to the cultural memory tied into such journeys and their visual representation. It suggests a commitment to preserving a particular experience within the symbolic weight of German identity linked to the Rhine River. Editor: It’s also worth thinking about the labor behind such tourism and artistic production. Someone is meticulously recording this trip but also there’s the implication that they can do so, given social factors regarding the allocation of labour and financial support at that time. Curator: That’s an insightful consideration—the access and privilege inherent in this type of documentation. By framing their travels and experiences along a waterway as laden with historical meaning, they are participating in a cultural narrative shaped by and catering to the culturally mobile elites. Editor: Seeing the trip this way reframes my idea that the pictures are melancholic. To some viewers the album's preservation can be evidence for resilience, which also can alter my overall appreciation. Curator: A perfect example of how art provides cultural understanding through layered visual symbolism! Editor: And by understanding how artworks become materially valuable we can understand them at multiple registers, beyond symbolism.

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