Klaas Kleiterp op een paard dat wordt vastgehouden door een Javaanse man te Batoedjadjar by Klaas (I) Kleiterp

Klaas Kleiterp op een paard dat wordt vastgehouden door een Javaanse man te Batoedjadjar 1924

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photography

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portrait

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landscape

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photography

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child

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genre-painting

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realism

Dimensions height 65 mm, width 107 mm

Curator: This photograph from 1924 captures Klaas Kleiterp, a young boy, perched on a horse being held by a Javanese man in Batoedjadjar. Editor: It's striking, isn’t it? Something about that kid's intense little stare cuts right through the dust of history. Makes you wonder what he's thinking. Curator: The photograph is attributed to Klaas (I) Kleiterp, and falls within the realm of genre-painting—or at least as photography can interpret such traditional painterly conventions. The staging is quite formal, almost like a painted portrait, yet the candid nature adds an intimate quality. It certainly invites us to unpack the complex social dynamic embedded within. Editor: Social dynamic... yeah, that's one way of putting it. The kid looks so proper, stiff almost, and the Javanese man is just…there, holding the reins. You feel the imbalance, the colonial shadow hanging heavy, right? Even with the idyllic, verdant background, there is something not idyllic at all. Curator: Precisely. It's crucial to understand these visual records within the historical power structures of the time. Photographs like this were often used to document, reinforce, and circulate specific ideologies of racial and social hierarchy within colonial contexts. Editor: Totally. It’s more than just a snapshot, it's a symbol—intentional or not—of an unequal relationship, frozen in time. Curator: The lack of visible emotion or engagement between the two further accentuates the disparity. The photograph as document reveals perhaps far more than it intends, reflecting unspoken attitudes, the mundane enactment of power in everyday colonial life. Editor: The power of images, right? It’s a quiet photo, but there’s a scream beneath the surface, if you really look. This piece is unsettling in that sense, deeply affecting even after almost a century. Curator: Agreed. The piece serves as a valuable record, prompting crucial questions and considerations. Editor: Definitely makes you rethink what you thought you knew.

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