American Light Infantry, 1782, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

American Light Infantry, 1782, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888

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drawing, coloured-pencil, print

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portrait

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drawing

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still-life-photography

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coloured-pencil

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print

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coloured pencil

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soldier

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men

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genre-painting

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history-painting

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academic-art

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watercolor

Dimensions Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)

Editor: Here we have "American Light Infantry, 1782," a print from 1888 by the Kinney Tobacco Company, employing colored pencil. The detail for a cigarette card is surprising! What do you make of its composition? Curator: Let's begin with the formal arrangement. Notice the pronounced verticality: the soldier’s figure, the rigid rifle. The artist employs this to establish a sense of stoic composure. Observe the contrasting diagonals formed by the white crossbelts, creating visual tension. What effect do you think is intended here? Editor: It certainly draws the eye in different directions! Perhaps to add movement, preventing the image from feeling too static? Curator: Precisely. The controlled palette further reinforces the formal structure. The muted greens and browns create a somewhat somber tone, contrasted only by the stark white, effectively delineating form and highlighting key elements of the uniform. The chromatic restraint is quite deliberate. Editor: It's interesting how the artist balances clarity and restraint. It almost feels...staged. Curator: Indeed, there’s an undeniable artificiality. Every detail is meticulously rendered, yet lacks genuine dynamism. The pose appears calculated. Do you feel this calculated effect extends to the surface texture itself? Editor: It does. The coloring appears quite smooth and uniform. Now that I consider it more deeply, I find the smoothness diminishes the artwork. It makes it seem rather mass-produced, which is somewhat contradictory, since it does have such precise detail. Curator: A valuable observation! The technical precision serves, paradoxically, to underscore the distance between representation and reality, emphasizing the print’s constructed nature. I appreciate your ability to attend to formal and material components simultaneously! Editor: And I see how attention to these formal components can help understand not just the appearance but the *feeling* of a piece. Thank you!

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