Broadway, New York, New York by Louis Faurer

Broadway, New York, New York Possibly 1950 - 1981

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photography

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street-photography

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photography

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black and white theme

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monochrome photography

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cityscape

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monochrome

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modernism

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realism

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monochrome

Dimensions image: 21.1 x 31.2 cm (8 5/16 x 12 5/16 in.) sheet: 26.9 x 33.1 cm (10 9/16 x 13 1/16 in.)

Curator: This is Louis Faurer’s photograph, "Broadway, New York, New York," potentially created between 1950 and 1981. The photograph is part of Faurer’s exploration of urban life through street photography. Editor: The high contrast gives it such a vibrant energy, doesn't it? The sleek, dark car in the foreground anchors the bustling background. You can almost hear the city. Curator: The backdrop of bright lights, signage, and the blur of passing traffic evokes the vibrant heart of mid-century Manhattan. Consider the photograph in the context of the evolving urban landscape and social climate of the era. Editor: What’s compelling is the starkness achieved by reducing everything to monochrome, really emphasizing the interplay between light and shadow on those faces, particularly on the gleam of that car. Curator: Indeed. Faurer was very much drawn to documenting the alienation and excitement within city spaces, a prominent theme during this period. Editor: The reflections are mesmerizing. Look at how the city lights warp and curve across the car’s polished surface, it mirrors how reality bends under the lens of perception and experience. Curator: It offers a social commentary on post-war optimism mixed with the anonymity one experiences when living in an increasingly crowded and commercialized urban society. Faurer sought to capture transient moments. Editor: For me it distills something more abstract - an ode to seeing, capturing a transient, electric moment as only photography can, highlighting how formal tension elevates everyday subject matter into art. Curator: Perhaps in exploring his works we discover something about the evolution of social life within the modern city itself. Editor: And in how such careful attention to composition gives what might be pedestrian beauty, elevates a fleeting encounter to permanence, and even poetry.

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