Don Quichote 

Paul Gangolf created this print of Don Quichote using a woodcut, a relief printing process where the image is carved into a block of wood. The areas that are cut away do not receive ink, allowing the remaining raised surfaces to be inked and printed. Notice the stark contrast and bold lines; these are characteristic of woodcut prints. Gangolf has skillfully used the cutting tool to define form and create texture, the hatching lines adding depth. The expressive quality aligns with the early 20th century Expressionist movement, common among German artists. This printmaking technique reflects the broader social context. Woodcuts allowed for affordable reproductions, making art accessible beyond the elite. The labor-intensive process also connects to a tradition of craft and manual skill, directly opposing the industrialization of the early 20th century. Looking at this print, we see how materials, making, and context are tied together. Gangolf not only tells the story of Don Quixote, but also invites us to think about the role of art and labor in a changing world.