Franz Joseph I, Emperor of Austria, from the Rulers, Flags, and Coats of Arms series (N126-2) issued by W. Duke, Sons & Co. by W. Duke, Sons & Co.

Franz Joseph I, Emperor of Austria, from the Rulers, Flags, and Coats of Arms series (N126-2) issued by W. Duke, Sons & Co. 1888

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drawing, graphic-art, print

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portrait

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drawing

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graphic-art

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print

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decorative-art

Dimensions Sheet: 2 3/4 × 4 1/4 in. (7 × 10.8 cm) Sheet (folded): 2 3/4 × 1 7/16 in. (7 × 3.6 cm)

Editor: Here we have "Franz Joseph I, Emperor of Austria," a print from 1888, created by W. Duke, Sons & Co. I find it incredibly ornate and a little intimidating. So, what are your first thoughts when you look at this, er, cigarette card? Curator: Ah, yes, these little windows into history always spark my imagination. This isn’t just a portrait; it's a carefully constructed symbol, designed to project power. I see layers, not just in the visual elements but also in what it represents. What do *you* see beyond the fancy coat of arms and stern eagle? Editor: Well, the double-headed eagle seems a bit… aggressive? And I suppose it makes me think about empires and, well, control. Was it intended to impress or even oppress, perhaps? Curator: Intriguing. Look at how that imposing eagle, almost heraldic, is rendered with such precision, juxtaposed with those delicate, swirling lines in the background. There’s a tension between rigid authority and artistic flair, don't you think? Consider the context – this was mass-produced to sell cigarettes. It’s designed to capture the eye, to associate the brand with a sense of imperial grandeur. A king for a smoke, eh? But what does it truly tell us about Franz Joseph or Austria, beyond the surface sheen? That, my friend, is the endless question. Editor: It’s interesting how everyday objects can carry so much history and symbolism! Now I see this card not just as decoration, but as a loaded piece of propaganda, a tiny advertisement trying to be timeless and relevant. Curator: Exactly! And that tension between advertising and art, intention and impact… That’s where the real story often lies, isn't it?

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